In the longing for a sense of connection to nature around me, I embark on a photographic research that culminates in a series of selected fragments of natural beings encountered in the photographs. For each of these fragments I create an own space through embedding them into clear white and black backgrounds. This makes it possible to submerge into the individual details of the photographed entities with a magnifying glass, detached from the original context. By enlarging the organic subjects, they become protagonists with their own stage in the sense of a post-humanistic debate, reflecting an interplay between concrete object character and unclear, blurred organisms.
